Tuesday, September 14, 2010

Individual Vision

I start new Intro to DSLR classes at the Light Factory this week. It's always exciting. I get to meet new people and share one of my greatest passions with them. Then I get to be there as they, hopefully, discover their own individual creative voices.

Sometimes they just struggle with comprehending what Aperture, Shutter Speed and ISO are and how they combine as Exposure... but I usually get to at least see a glimmer of how these other individuals see the world. Sometimes people just want to know how a particular shot was achieved so they can shoot just like that. That's not what I'm usually hoping to pass along to people, but I'll give them the basics to see where they take it.

One of my favorite portfolio reviews was with photographer Brian Ulrich when he had an exhibit here in Charlotte. It was more like a visit than a formal creative critique. He really looked at every image I put in front of him and asked me questions about how, why and where I shot each frame.

Then he asked me why everything was always shot with a shallow depth of field. I had never really thought about it... Maybe it's because I have an astigmatism and the blur just registers as "normal" in my brain. Then he suggested I try shooting my normal subjects with a greater depth of field. I was aghast! Wouldn't that be the way someone else sees the world? Maybe. But I wouldn't know if I didn't at least give it a try.

So later that week I was working on my flower series and I tried it. I ended up liking it.
I still favor a fairly shallow Depth of Field, but I am trying more techniques. If they look like something that would come out of my mind, I keep them in my mental creative files. If not, they get filed in a different area... because the technique might perfectly express someone else's view of the world.

Tuesday, September 7, 2010

Thinking Outside the Full-frame Sensor

It's been about 2 weeks, 2 days, 23 hours and 50 minutes since I returned from Sean Kernan's mind-opening workshop in Maine. I'm still processing the experience in my head... trying not to slide back into old, sticky habits. But it's hard.

And that's all the whining I'm going to do on the subject! Because even though I'm back in my normal environment with all my creature comforts and obligations surrounding and insulating me, I still have this little voice throwing ideas across my mind that beg attention.
I've gotten several calls/emails/messages over the past several days asking how people can purchase note cards or necklaces. This prompted the recent production frenzy of said note cards and necklaces in which I'm currently swimming. Not a bad wake up call since it's something I enjoy doing and it's another way to express myself creatively. (Actually the only things I dislike about the process are getting glue all over my fingers and the smell of the solder.)
But even as I'm going through the motions that are so familiar to me, I keep going back to the concept of the Extended Photograph that Sean encouraged us to explore. An Extended Photograph provides an experience that goes beyond just the visual... It can incorporate any of the other senses that will get your message across to your audience. At least that's what I think it is.
I've got two ideas that are bouncing around in my head for my Extended Photographs, but I think for my own sanity I'll concentrate on just one of them for the next six months and see how it evolves.
Curious? So am I. Stay tuned...

Tuesday, August 31, 2010

Making Connections in the Garden

I've been plugging away at finishing my book project on black and white flower images and grabbed this bunch of Scabiosa --- a nectar-rich, rough and floppy flower that is a favorite of butterflies. I'm pleased with the image even though when I first picked them up I thought they looked a little "rode hard & put up wet".


Of course I didn't make the connection between the blooming of these flowers and the beginning of Butterfly season ( I didn't even really think about butterflies having seasons... but then again, this is all turning out to be a great learning process for me...). A friend of mine and I took a little road trip to Daniel Stowe Botanical Gardens late last week and discovered that it is indeed time for butterflies to crawl out of their casings to show the world their transformation.



In order to prepare for the event, Something's A-Flutter, the people at DSBG have several glass cases in the Orchid Conservatory full of butterfly chrysalides. At first I thought they were bits of jewelry, especially since the chrysalis of the Monarch butterfly looks like jade.
I've never seen a butterfly straight out of the chrysalis. Instead of the flitty, flighty insect I'm used to seeing, I witnessed creatures that seemed exhausted and crumpled as they had not yet been able to pump their wings into flight mode. It was a little sad.

I'm getting to take my Intro to DSLR class to the gardens tomorrow. I hope the butterflies are a little more ready for the world, but even if they aren't, I can't wait to see my students discover them...

Monday, August 23, 2010

Mind Buzz...

I'm just back from the Maine Media Workshops in Rockport, Maine where I got to take part in Sean Kernan's Creativity & the Photographer II workshop.
I was a little nervous going into this. The workshop focuses on the creative process, not the technical aspects of photography. Sean uses movement and theatre exercises to get the photographer more in tune with the world around him or her. I was worried what it would actually be like...
Thankfully, it was wonderful. I have never known what it is like to be in a truly safe environment for creating art. The group of people melded together in a way I've never experienced in a workshop setting. It was like being a part of a litter of puppies --- ready to explore!
Some really wonderful work was produced... Some was just started.
I'm excited about working on my creative projects in the coming months. I have Sean Kernan and the other "puppies" to thank for that!

Sunday, March 21, 2010

To Retouch or Not to Retouch...

... that is my question when I'm doing a self-portrait. Is it more honest to leave all the blemishes when you're exploring who and what you are or is it okay to soften things a little?

Even when you have 20/20 or better vision, don't you really gaze upon others (and yourself) with an emotional filter? Hmmm... that's my conundrum as I work on my latest project.


What do you think?...